- published: 15 Feb 2014
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.. Gould's memory capacity was legendary. Both his mental and finger memory made it possible for him to reproduce and play music literature many years after his last practice and performance of the same. A famous illustration of this statement would be an event that occurred in 1970, when the renown Italian pianist, Arturo Benedetti Michelangeli, was unable to go through with his performance of Beethoven's Concerto No.5, Emperor, in Toronto. Gould was given a telephone call on Thursday evening. The problem was explained, and he was asked to substitute for Michelangeli the next morning, on Friday, when the Toronto Symphony and the conductor, Karel Ancerl, were scheduled to work with Michelangeli. Gould's answer was affirmative and good-spirited. In the space of the next few night hours, Gou...
From a CBC Radio Broadcast 1968 00:00 Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande - Allegro ma non troppo 12:28 Szene am Bach - Andante molto moto 33:23 Lustiges Zusammensein der Landleute - Allegro 40:55 Gewitter, Sturm - Allegro 44:43 Hirtengesang. Frohe un dankbare Gefühle nach dem Sturm - Allegretto
Glenn Gould is interviewed by the famous television presenter Humphrey Burton and provides his thoughts on why Beethoven is so central to the Western musical experience. The Interview was originally broadcast on 22th March, 1966. Remember to subscribe to stay up to date with all new releases on the channel.
To celebrate the 200th birthday of Ludwig van Beethoven, Glenn Gould performed "The Bicentennial Concert“, produced by Mario Prizek and originally broadcast on 9th December, 1970. 00:00 Bagatelle in E-flat major 04:37 Introduction 06:03 Tema. Adagio. Cantabile 08:07 Var. I 10:09 Var. II Alegro, ma non troppo 11:09 Var. III Allegretto 13:06 Var. IV Tempo di Menuetto 14:22 Var. V Marcia Allegretto 15:59 Var. VI Allegretto - Coda - 17:21 Adagio molto
Ludwig van Beethoven (1770-1827) Piano Concerto No. 4 in G major, Op. 58 (00:05) 1. Allegro moderato (19:23) 2. Andante con moto (26:03) 3. Rondo Vivace Glenn Herbert Gould (1932-1982), Piano Leonard Bernstein (1918-1990), Conductor New York Philharmonic Rec. 20 March 1961, at Manhattan Center, in New York ルートヴィヒ・ヴァン・ベートーヴェン ピアノ協奏曲第4番 ト長調 作品58 ピアノ：グレン・ハーバート・グールド 指揮：レナード・バーンスタイン ニューヨーク・フィルハーモニック 録音：1961年3月20日 マンハッタン・センター (ニューヨーク)
Ludwig van Beethoven (1770-1827) Piano Concerto No. 3 in C minor, Op. 37 (00:05) 1. Allegro con brio (17:21) 2. Largo (28:10) 3. Rondo. Allegro Glenn Herbert Gould (1932-1982), Piano Leonard Bernstein (1918-1990), Conductor Columbia Symphony Orchestra Rec. 4-5, 8 May 1959, at 30th Street Studio, in New York ルートヴィヒ・ヴァン・ベートーヴェン ピアノ協奏曲第3番 ハ短調 作品37 ピアノ：グレン・ハーバート・グールド 指揮：レナード・バーンスタイン コロンビア交響楽団 録音：1959年5月4～5，8日 コロムビア30番街スタジオ (ニューヨーク) ▼Beethoven: Piano Concerto No. 1, Gould & Golschmann (1958) ベートーヴェン ピアノ協奏曲第1番 グールド https://www.youtube.com/watch?v=HPFCIhkBTGU ▼Beethoven: Piano Concerto No. 2, Gould & Bernstein (1957) ベートーヴェン ピアノ協奏曲第2番 グールド https://www.youtube.com/watch?v=n1G-dJswzX8
Based on Ludwig van Beethovens „Piano Sonata No. 31 in A-flat major op.110", Glenn Gould gives us an overview of the musical form known as the fugue, originally broadcast on 4th March, 1963. Remember to subscribe to stay up to date with all new releases on the channel. 00:00 Introduction by Glenn Gould 03:07 III Adagio ma non troppo - Fuga. Allegro ma non troppo
Glenn Gould. Glenn Herbert Gould (25 September 1932 – 4 October 1982) was a Canadian pianist who became one of the best-known and most celebrated classical pianists of the 20th century. Appassionata. Ludwig van Beethoven's Piano Sonata No. 23 in F minor, Op. 57 (colloquially known as the Appassionata, meaning "passionate" in Italian) is among the three famous piano sonatas of his middle period (the others being the Waldstein, Op. 53 and Les Adieux, Op. 81a); it was composed during 1804 and 1805, and perhaps 1806, and was dedicated to Count Franz von Brunswick. The first edition was published in February 1807 in Vienna. Unlike the early Sonata No. 8, Pathétique, the Appassionata was not named during the composer's lifetime, but was so labeled in 1838 by the publisher of...